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Find Carolyn's
Individual Books and Audios Here:

Cover art by Vicki
Thomas, Poetry by Magdalena Ball and Carolyn Howard-Johnson
"Cherished Pulse is full of poems that describe love from the eyes and
hearts of young and old alike. We see love in its youthful stage,
stirring the hearts of man and woman alike and tying a bond that even
death cannot break. As we continue reading, we understand that love
deepens into an awesome, but quiet joy as the couple grows older. These
poems renew our faith in love as they remind us of our own experience
with this most sought after emotion."
~
Lucille P Robinson for
Alternative-Read.com Reviewer

Winner of the Military Society of
America's Award of Excellence and named to the Compulsive Reader's Ten
Best Reads of 2005
Sponsoring Ad:

Quark Soup: An exquisite
infinity of poetic stars by Magdalena Ball.
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Tip
If you like poetry with an
edge, please research poetry by Suzanne Lummis, my UCLA
instructor and mentor. Her
In Danger is a delight. Find at least one tip on writing, promotion or
tech on every page of this Web site.
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Poetry
Honoring Mothers
(and Daughters!) Everywhere
She
Wore Emerald Then
is an e-chapbook and paperback published by Amazon's CreateSpace.com.
Co-authored by award-winning poets Magdalena Ball and Carolyn Howard-Johnson
Click here to purchase Cherished Pulse co-authored by
Magdalena Ball.
Paintings by Vicki Thomas.
Click here
for a review, excerpt,
and more on Carolyn's chapbook Tracings.
Click here to purchase Tracings at
Amazon.
Click here
for Carolyn's first person essay,
"Beating Time at Its Own Game."
She
Wore Emerald Then
Reflections on Motherhood
By Magdalena Ball
and Carolyn Howard-Johnson with photography by May Lattanzio
Moods of Motherhood: thirty poems by
award-winning poets Magdalena Ball and Carolyn Howard-Johnson, with
original photography by May Lattanzio. A beautifully presented, tender
and strikingly original gift book, ideal for Mother's Day or any day
when you want to celebrate the notion of motherhood in its broadest
sense. Share this collection with someone you love.
"There are no demons here

no whirlwind of memory and
anticipation
clouding sleep
a shared space
free from the ticking illusion
of time, motion and change"
To purchase a full color copy, or for more
information, visit:
https://www.createspace.com/3347966
Or buy on
Amazon.
For media enquiries or review copies, please
contact Carolyn Howard Johnson at
HOJONEWS@aol.com,
or Magdalena Ball at
maggieball@compulsivereader.com
Listen to my co-author,
Magdalena Ball, read a selection from her portion of She Wore
Emerald Then in her dreamy voice with a slight Aussie accent:
http://www.compulsivereader.com/html/images/Mother%27s%20Bed.mp3
Read Willie Elliott's review of
She Wore Emerald Then at
http://www.myshelf.com/miscellaneous/09/sheworeemeraldthen.htm
Read a review from DeSilva News Editor Jozette Aaron at
http://jozette.webs.com/bookreviews.htm.
About the Authors
Magdalena Ball runs
The
Compulsive Reader. Her short stories, editorials, poetry, reviews
and articles have appeared in a wide number of printed anthologies and
journals, and have won local and international awards for poetry
(including this year's Roland Robinson literary award), and
fiction. She is also the author of the critically acclaimed novel
Sleep Before Evening, a nonfiction book
The Art of Assessment: How to Review Anything and two other poetry
chapbooks
Quark Soup, and, in collaboration with Carolyn Howard-Johnson,
Cherished Pulse. She runs a monthly radio program podcast
www.blogtalkradio.com/compulsivereader
Carolyn Howard-Johnson's first novel,
This is the Place, and
Harkening: A Collection of Stories Remembered are both
award-winners. Her fiction, nonfiction and poems appear in national
magazines, anthologies and review journals. She speaks on culture,
tolerance, writing and promotion and has appeared on TV and hundreds of
radio stations nationwide. She is an instructor for
UCLA Extension's Writers' Program
and has shared her expertise at venues like
San Diego State's world
renowned Writers' Conference, Dayton University's
Erma Bombeck Writers' Workshop
and SPAN's (Small Publishers
Association of North America) annual conference. Carolyn was recently
awarded Woman of the Year in Arts and Entertainment by the California
Legislature; her home town's Character and Ethics Commission honored her
for her work on promoting tolerance and the Pasadena Weekly named her to
their list of "San Gabriel Valley women who make life happen" for
literary activism. Her nitty-gritty how-to book,
The Frugal Book Promoter won USA Book News' Best Professional Book
2004 and her chapbook of poetry,
Tracings, was honored by the
Military Writers' Society of
America for excellence. It is now available from
Finishing Line Press and
Amazon. Her literary Web site is on part of this site on this page:
http://carolynhoward-johnson.com.
May Lattanzio is not a stereotypical grandmother. She is a freelance
writer, a poet, author, an animal and nature lover. When she first went
digital ('cause she couldn't use a viewfinder anymore), she took her
camera out onto her acres in NW Florida, concentrating on the many
insects.
Her Web sites are:
http://inkedin.ning.com/profile/Maziel
www.thelensflare.com/u_may.php,
www.jpgmag.com/people/maziel.
http://maylattanzio.blogspot.com/
To Purchase She
Wore Emerald Then
To buy a copy, just click the
purchasing link https://www.createspace.com/3347966.
then click on the Add to Cart button, fill in check out
information and that's it. Watch for it soon on Amazon, as well. Or
purchase at
Amazon.
Sample Poems from She Wore Emerald Then
Mother’s Bed
by
Magdalena Ball
In the
restless night
when
mortality lurks in every shadow
the
blanket won’t cover your fear
and
morning is a half-forgotten dream
vague and
uncertain,
slink
into my bed
the
pillow holds a mother’s secret
whispered
charm
you can
sink your head into.
There are
no demons here;
no
whirlwind of memory and anticipation clouding
sleep
only
eternal warmth
a shared space
free from the ticking illusion
of time, motion, and change.
Here, where you are always welcome
nothing matters
except this peace
this place
containing every possible now.
At eighty-eight, she (tired
of the twenty first century
before it has become school
age) pleads, weary
before dinner, eyes
too weak to read.
I turn on the TV,
grab a VCR to cheer
her. I'm too slow, way
too slow. Instead of You're lookin’
swell, Dolly, she is treated
to Aulnay-sous-Bois'
streets aflame, backlash,
ghetto or banlieues
nothing new
in new millennium.
REVIEWS
She Wore Emerald Then
Reviewed by Kristin Johnson, founder of
Warrior Poets
"What relationship is more complex or more elemental
than the mother-child bond? Abraham Lincoln said, 'All that I am or
hope to be, I owe to my angel mother.' Toni Morrison wrote, 'Grown
don't mean nothing to a mother. A child is a child. They get
bigger, older, but grown?What's that suppose to mean? In my heart
it don't mean a thing.'
Both of those quotes, as well as one by Honore de Balzac at the
beginning of SHE WORE EMERALD THEN, perfectly describe this
collection of poems by Carolyn Howard-Johnson and Magdalena
Ball---poetry that catches at your soul. Both of them reprise their
poems from Ball's QUARK SOUP, Howard-Johnson's TRACINGS, and their
joint collection, CHERISHED PULSE. Fans of CHERISHED PULSE will be
pleased to learn that the poets continue to write poems that don't
sound either like banal Hallmark cards or the
bitter-at-dysfunctional-family jeremiads that habitually torture MFA
writing workshop participants.
That would be perfect. Or you
could just have the text:
The two poets complement each other (with words accompanied by
stunning photography by May Lattanzio). The opus covers both the
grand sweep of the birth of all universal life and the private
universe populated by only an adult daughter watching her mother
struggle to eat dinner and remembering how her mother washed her
one slip. While Ball explores the cosmic continuum and traces us all
back to the mother spark that set the stars burning, Howard-Johnson
concentrates her portraiture on the deeply personal. But Ball also
talks about the oxytocin haze of giving birth and her
mother vomiting from cancer drugs. To quote the last poem in the
collection, 'Hallmark Couldn't Possibly Get This Right.' When you
read about the tough love of the universe or Ball's sienna childhood
photograph or Howard-Johnson's mother forgetting her name, you want
to cry and hug your mother (and your children, if you have them),
because they capture the eternal tug of war between joy and sorrow
in the mother-child bond."--Kristin Johnson, poet, author,
screenwriter and founder of the Poet Warrior Project,
http://poetwarriorproject.blogspot.com

Word Art from She Wore Emerald Then of
the poem "Hall Mark Couldn't Possibly Have Gotten This Right" created by
www.wordle.net Tip: This service is
free. Any poet may use it. (-:
~~~
She Wore
Emerald Then – Reflections on Mothers and Motherhood
Reviewed by Helena Harper
This is a
collection of poetry that movingly illustrates many aspects of
motherhood and, if you are a poetry lover, there is much that
you will find appealing and thought-provoking. In the first half
of the book, the poems by Magdalena Ball have a cosmic quality
to them and some wonderful imagery. In the poem 'Coil of Life',
for example, giving birth is described as the 'Big Bang' and in
'Assault by a Black Hole', the reader is taken on a journey from
the sublime to the commonplace and you can't help but smile:
A powerful jet from a black hole
is blasting nearby galaxy 3C321
with outrageous galactic violence
x-rays, gamma rays
particles travelling the speed of light
tearing ozone layers
destroying alien life forms
and breeding new star systems
a million primordial sons
in the lethal pummelling.
Talk about tough love.
In the face of that million year
assault
(a fraction of the system’s lifetime)
I suppose I have no right
to complain
about one smart, sharp smack
sent my way
to facilitate a few manners.
Carolyn
Howard-Johnson's poems have, by contrast, a homely down-to-earthness
which also appeals. I loved her description of dandelion petals
in the poem 'Dandelions in Autumn':
Yellow petals, pollen-soft
like monarchs' wings.
Little lions' manes
like illustrations in childrens'
books, not like roaring
Serengeti cats
or the MGM logo lion, harmless
these. I pick them, bunch them,
hold them under Mama's chin
to see if they light her throat
yellow, and if they do, delight!
In the poem
'Musing Over a New Calendar', the author reflects on the passage
of time - how there is still so much she wants to do and see,
yet her ageing mother is 'alone, rejecting all but her home'. I
felt the author's pain in these lines as I did in the poem
'Mother and Daughter' where she describes her job of 'mothering
again', but this time it is not her children who need her help
but her own elderly mother:
...I take over seatbelt
duties, step ahead of her then stop,
reluctant for her to know she's slow.
We all forget names,
I say as numb
moves from hand to heart
because it is my name she has forgotten.
Yet, despite
such painful memories and associations, perhaps the strongest is
the 'eternal warmth' of our mother's bed – as Ms. Ball puts it –
'a shared space/ free from the ticking illusion/ of time, motion
and change./ Here, where you are always welcome/ nothing
matters/ except this peace/ this place/ containing every
possible now.'
-----
Reviewed by
Helena Harper, poet and author of "It's a Teacher's Life...!,"
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